> Folk Music > Records > Quinie: Quinie
Quinie: Quinie
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Quinie Greater Lanarkshire Auricular Research Council GLARC 00003 (cassette, UK, 26 February 2017) |
Musicians
Josie Vallely: vocals, shruti box
Tracks
- The Sang (2.20)
- The Gawk (Roud 413; G/D 6:1157; Henry H479) (2.39)
- Gaitherin Shells (2.13)
- Tammie Taddle (Roud 2497) (0.59)
- Haar (3.50)
- Sew Sewin’ Silk (Roud 473; G/D 8:1703) (1.06)
- Auld Man Cam Courtin Me (Roud 210) (3.02)
- Cruel Mither (Roud 9; Child 20; G/D 2:193; TYG 73) (3.00)
- (Ode to) What a Voice (Roud 495) (7.08)
Track 1 poem The Sang from Marion Angus:
Sun and Candlelight (Edinburgh: The Porpoise Press, 1927).
Arranged by Quinie based on the tune of Anne Brigg’s version of
Young Tambling;
Track 2 trad., words translated into Scots from The Cuckoo;
Track 3 poem Gathering Shells from Marion Angus:
Lost Country (Glasgow: Gowans & Gray, 1937), some words are altered. Arranged by Quinie to the tune of Stornoway, a tune by unidentified woman [vocal] held in the BBC Glasgow Archives, a Gaelic song recorded by Lomax in 1951;
Tracks 4, 6, 8-9 trad., learned from the repertoire of Lizzie Higgins;
Track 5 poem In a Little Old Town, from Marion Angus:
Lost Country, arranged by Quinie to the tune of the Irish Gaelic song Táim Cortha ó Bheith im’ Aonar im’ Luí;
Track 7 trad., learned from the repertoire of Jeannie Robertson;
> Folk Music > Records > Quinie: Buckie Prins
Quinie: Buckie Prins
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Buckie Prins Greater Lanarkshire Auricular Research Council GLARC 00007 (cassette, UK, 11 March 2018) |
Musicians
Josie Valley: voice, shruti box, zither;
Ailbhe Nic Oireachtaigh: viola;
Oliver Pit: guitar, zither, bouzouki, percussion;
Neil McDermott: fiddle;
Alan Guadanal: chanter
Tracks
- Wagtail (4.04)
- Wee Wunner (2.06)
- The Banks of Red Roses (Roud 603; G/D 7:1444) (0.39)
- The Snows They Melt the Soonest (Roud 3154) (6.47)
- Lost Licht (6.08)
- Sound o Sleet (1.57)
- When I Was Noo But Sweet Sixteen (Roud 5138) (2.44)
- Tammie Norrie (1.18)
- The Lark in the Morning (Roud 151) (4.16)
- Up and Awa and Awa Wi the Laverock (Roud 5133) (1.46)
- Gawk (Roud 413; G/D 6:1157; Henry H479) (5.58)
- Easter Tree (5.01)
- Corbie (2.03)
- Buckie Prins (6.13)
Track 1 words based on Wully Wagtail, from Sandy Thomas Ross:
Bairnsongs, New York: St Martins’ Press, 1967;
Track 2 words from Bairnsongs;
Tracks 3-4, 7, 9, 11 trad.;
Track 5 poem The Lost Licht (A Perthshire Legend), from
Violet Jacob: Songs of Angus, London: John Murray, 1915,
music Morning Come, Jean Ritchie;
Tracks 6, 8, 14 tunes, probably by Josie Valley;
Track 10 Andy Hunter;
Track 12 Dave Goulder;
Track 13 words from Bairnsongs, tune The Unfortunate Lass
> Folk Music > Records > Quinie: Forefowk, Mind Me
Quinie: Forefowk, Mind Me
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Forefowk, Mind Me Upset the Rhythm UTR171 (LP, UK, 23 May 2025) |
Recorded in August 2024 at The Big Shed in Highland Perthshire
with support from Creative Scotland;
Recorded and mixed by Stevie Jones
KLOF Magazine review by Thomas Blake
Musicians
Josie Valley: voice, shruti box;
Ailbhe Nic Oireachtaigh: viola;
Oliver Pitt: duduk, bouzouki, percussion;
Harry Górski-Brown: smallpipes, violin;
Stevie Jones: double bass
Tracks
- Col My Love (6.55)
- Bonny Udny (Roud 3450; G/D 6:1089) (4.46)
- Macaphee Turn the Cattle (Roud 20741) (1.22)
- Sae Slight a Thing (5.52)
- Auld Horse (2.27)
- Generations of Change (3.15)
- Health, Wealth a Yer Days (3.03)
- The Seasons (Roud 16929) (2.00)
- Cam A Ye Fair (Roud 3) (5.56)
- Sallow Buckthorn (6.16)
- Craigie Hill (Roud 5165) (4.29)
Track 1 based looseley on the piobaireachd Colla Mo Run, lyrics translated from Gaelic into Scots;
Tracks 2-3, 8-9, 11 trad.;
Track 4 poem A Small Thing from Marion Angus:
The Turn of the Day (Edinburgh: The Porpoise Press, 1931),
tune based on Port na bPúcal played on the uilleann pipes;
Track 5 improvised piece, based on Mary Orr Garven’s Fareweel Untae Ye Auld Horse, a fragment of what seems to be a bothy ballad;
Track 6 Matt Armour;
Track 7 a short toast from a Lizzie Higgins recording held in the School of Scottish Studies Archives;
Track 10 lyrics from Helen Helen Cruickshank’s poem Sea Buckthorn, published in Up the Noran Water and other Scots poems (1934), and from a Scots translation of a Palawa Kani poem by Theresa Gall Saintie, melody based on the Irish sean-nós tune An Cailin Fearúil Fionn