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Quinie: Quinie
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Quinie Greater Lanarkshire Auricular Research Council GLARC 00003 (cassette, UK, 26 February 2017) |
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Musicians
Josie Vallely: vocals, shruti box
Tracks
- The Sang (2.20)
- The Gawk (Roud 413; G/D 6:1157; Henry H479) (2.39)
- Gaitherin Shells (2.13)
- Tammie Taddle (Roud 2497) (0.59)
- Haar (3.50)
- Sew Sewin’ Silk (Roud 473; G/D 8:1703) (1.06)
- Auld Man Cam Courtin Me (Roud 210) (3.02)
- Cruel Mither (Roud 9; Child 20; G/D 2:193; TYG 73) (3.00)
- (Ode to) What a Voice (Roud 495) (7.08)
Track 1 poem The Sang from Marion Angus:
Sun and Candlelight (Edinburgh: The Porpoise Press, 1927).
Arranged by Quinie based on the tune of Anne Brigg’s version of
Young Tambling; >
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Quinie: Buckie Prins
Buckie Prins Greater Lanarkshire Auricular Research Council GLARC 00007 (cassette, UK, 11 March 2018)
Josie Valley: voice, shruti box, zither;
Track 1 words based on Wully Wagtail, from Sandy Thomas Ross:
Bairnsongs, New York: St Martins’ Press, 1967; >
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Quinie: Forefowk, Mind Me
Forefowk, Mind Me Upset the Rhythm UTR171 (LP, UK, 23 May 2025)
Recorded in August 2024 at The Big Shed in Highland Perthshire
with support from Creative Scotland; Josie Valley: voice, shruti box;
Track 1 based looseley on the piobaireachd Colla Mo Run, lyrics translated from Gaelic into Scots;
Track 2 trad., words translated into Scots from The Cuckoo;
Track 3 poem Gathering Shells from Marion Angus:
Lost Country (Glasgow: Gowans & Gray, 1937), some words are altered. Arranged by Quinie to the tune of Stornoway, a tune by unidentified woman [vocal] held in the BBC Glasgow Archives, a Gaelic song recorded by Lomax in 1951;
Tracks 4, 6, 8-9 trad., learned from the repertoire of Lizzie Higgins;
Track 5 poem In a Little Old Town, from Marion Angus:
Lost Country, arranged by Quinie to the tune of the Irish Gaelic song Táim Cortha ó Bheith im’ Aonar im’ Luí;
Track 7 trad., learned from the repertoire of Jeannie Robertson;
Quinie: Buckie Prins

Quiniealbum details
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Musicians
Ailbhe Nic Oireachtaigh: viola;
Oliver Pit: guitar, zither, bouzouki, percussion;
Neil McDermott: fiddle;
Alan Guadanal: chanterTracks
Track 2 words from Bairnsongs;
Tracks 3-4, 7, 9, 11 trad.;
Track 5 poem The Lost Licht (A Perthshire Legend), from
Violet Jacob: Songs of Angus, London: John Murray, 1915,
music Morning Come, Jean Ritchie;
Tracks 6, 8, 14 tunes, probably by Josie Valley;
Track 10 Andy Hunter;
Track 12 Dave Goulder;
Track 13 words from Bairnsongs, tune The Unfortunate LassQuinie: Forefowk, Mind Me

Quiniealbum details
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Recorded and mixed by Stevie JonesMusicians
Ailbhe Nic Oireachtaigh: viola;
Oliver Pitt: duduk, bouzouki, percussion;
Harry Górski-Brown: smallpipes, violin;
Stevie Jones: double bassTracks
Tracks 2-3, 8-9, 11 trad.;
Track 4 poem A Small Thing from Marion Angus:
The Turn of the Day (Edinburgh: The Porpoise Press, 1931),
tune based on Port na bPúcal played on the uilleann pipes;
Track 5 improvised piece, based on Mary Orr Garven’s Fareweel Untae Ye Auld Horse, a fragment of what seems to be a bothy ballad;
Track 6 Matt Armour;
Track 7 a short toast from a Lizzie Higgins recording held in the School of Scottish Studies Archives;
Track 10 lyrics from Helen Helen Cruickshank’s poem Sea Buckthorn, published in Up the Noran Water and other Scots poems (1934), and from a Scots translation of a Palawa Kani poem by Theresa Gall Saintie, melody based on the Irish sean-nós tune An Cailin Fearúil Fionn
