Produced by Rowan Elliott and Tom Excell;
Recorded by Tom Excell at Henwood Studios;
Track 14 recorded by Rowan Elliott at Rodborough Church, Stroud;
Mixed by Tom Excell

Musicians

Tamsin Elliott: piano accordion, flute, whistle, lever harp, vocals;
Rowan Elliott: violin, viola, cajon, palmas, vocals;
JP Wolfgang: Spanish guitar, electric guitar, palmas, vocals;
Elio Arauz de Marcos: drum kit, percussion, vocals;
Henry Edmonds: double bass, electric bass, vocals;
Tom Excell: additional percussion [10]

Tracks

1. Bulería del Búho (4.28)
2. Speedwell Kopanitsa (3.29)
3. Mirage / The Salad Smuggler’s Sister (8.18)
4. Interlude (1.20)
5. When Bright Shines the Moon (5.39)
6. Odd Elegy (0.54)
7. Allegedly Odd (5.55)
8. Suénala (3.32)
9. Wine Dark Sea (5.48)
10. Pangaea (4.00)
11. Ysbryd y Mwynwyr (1.34)
12. Turkish Coffee (4.41)
13. Mare Tempesta (6.10)
14. Trece Catorce (1.48)

All tracks by Solana exxept
Track 6 Dhafer Youssef

Produced by Tamsin Elliott;
Production consultation from Theo Passingham;
Recorded by Alex Garden at Stwdio Felin Fach, Abergavenny;
Mixed by Ben Capp;
Mastered by Theo Passingham;
Photography by Kate Griffin;
Artwork by Tamsin Elliott and Ava Osbiston;
Design and layout by Tamson Elliott

Folking.com review by Dal Jeffries

Musicians

Tamsin Elliott: piano accordion, lever harp, flute, whistle, vocals, effects, synth bass, field recordings;
Sid Goldsmith: cittern, double bass, vocals, effects;
Rowan Rheingans: violin, viola, vocals;
Rowan Elliott: viola, violin, vocals;
Ricardo de Noronha: percussion;
Soufian Saihi: oud

Tracks

1. Uma’s Song (3.33)
2. Old Wax Jacket // A Coat of Sawdust (4.17)
3. Lullaby (4.19)
4. I Dreamed I Was an Eagle (2.16)
5. Vignette I (2.32)
6. Light as Bone (4.18)
7. Lament (3.49)
8. Cold Moon (5.15)
9. When the Times Darken (3.12)
10. The Loss Endured I (1.58)
11. The Loss Endured II (1.57)
12. Emerging / Full Squirrel (4.24)
13. Vignette II (2.22)
14. Cygnus (4.48)

All tracks composed by Tamsin Elliott;
Lyrics of track 9 from “Motto to the Svendborg Poems” by Bertolt Brecht, translated by Edwin Morgan

Video

Tamsin Elliott plays Lullaby / I Dreamed I Was an Eagle:

Produced by Rowan Elliott;
Additional production by Tamsin Elliott;
Production consultation by Theo Passingham;
Recorded and mixed by Rowan Elliott at The Roost Studio, Bristol;
Additional recording by Ziad Hisham;
Mastered by Sam Proctor at Lismore Mastering;
Photography by Kate Griffin;
Design and layout by Tamsin Elliott, Arabic typography by Laila Magdy

Folking.com review by Mike Wistow

Musicians

Tarek Elazhary: oud, vocals, field recordings;
Tamsin Elliott: lever harp, piano accordion, quartertone accordion, flute, vocals, synthesisers, field recordings

with
Archie Churchill-Moss: guitar;
Sam Sweeney: fiddle;
Daniel Gouly: clarinet, bass clarinet;
Rowan Elliott: viola, fiddle;
Ricardo do Noronha: percussion;
Leila Sami: vocals

Tracks

1. In the Grey of the Morning (3.18)
2. El Hara (4.36)
3. So Far We Have Come (2.41)
4. The Returning Light / Late Frost (3.41)
5. Taqasim Nahawand (1.38)
6. Hope Is the Thing With Feathers (5.02)
7. Amy Abu El Fanous (4.07)
8. Telaet Ya Mahla Norha / Mundesse (3.52)
9. Taqasim Bayati (2.12)
10. Jala Man Kad Sawarak (5.08)
11. Out of Nowhere (2.29)
12. Barn Elms / Halsway Hornpipe (4.33)
13. Improvisation. Landscapes of El Darb El Ahmar (2.22)

All tracks by Tamsin Elliott and Tarek Elazhary except:
Tracks 7, 8b, 10, 12a trad, arr. Tamsin Elliott, Tarek Elazhary;
Track 8a Sayed Darwish, arr. Tamsin Elliott, Tarek Elazhary

Video

Tamsin Elliott and Tarek Elazhary play El Hara:

Recorded and mixed by Rowan Elliott;
Additional field recording by Sid Goldsmith;
Mastered by Sam Proctor at Lismore Mastering

Musicians

Tamsin Elliott: lever harp, field recordings;
Rowan Elliott: violin, viola, percussion

Tracks

1. Air (3.26)
2. Dusk (4.31)
3. Nightsong (4.39)
4. Cygnus (5.32)

All tracks composed by Tamsin Elliott;
Additional composition on track 3 by Rowan Elliott

Recorded and mixed by Theo Passingham at The Roost, Bristol;
Tom Moore: Live Engineer at Folk East, Suffolk August 2025;
Artistic production by Holly Harman;
Mastered by Sam Proctor at Lismore Mastering

Musicians

Tamsin Elliott: piano accordion, lever harp, flute, whistle, field recordings;
Rowan Elliott: fiddle;
Sid Goldsmith: cittern

Tracks

1. Lonely Jig (6.08)
2. Night of the Owl (4.55)
3. Minuett (3.28)
4. Over the Black Mountain (4.30)
5. My Nan Jan / The Original Squirrel (5.18)
6. Mazurka (6.27)
7. The Guildhall (4.28)
8. Turning of the Year / The Meeting Tree (live at FolkEast) (4.33)
9. In Hopeless Hope (2.06)

All tracks composed by Tamsin Elliott

Co-produced by Hedera and Rowan Elliott;
Recorded and mixed by Rowan Elliott at The Roost, Bristol;
Mastered by Sam Proctor;
Mastered by Sam Proctor at Lismore Mastering

Folking.com review by Graham Brown

Musicians

Lulu Austin: violin, vocals;
Maisie Brett: violin, Hardanger d’amore;
Tamsin Elliott: accordion, harp, vocals;
Beth Roberts: double bass, violin, vocals;
Isis Wolf-Light: clarinet, bass clarinet, gongs, vocals

Tracks

1. Sterretjie (Little Stars) (3.47)
2. Threnody (2.07)
3. Salamander (4.50)
4. Waterwheel (3.49)
5. An Buachaillín Ban (The Fair-Haired Boy) (2.20)
6. Mayflies in June (2.49)
7. Shen Khar Venakhi (3.02)
8. She’s Sweetest When She’s Naked (3.19)
9. The Long Awaited Rain (5.21)
10. Sekar Jagat (4.56)
11. Koga Me Mama Rodila (4.33)

Track 1 composed by Maisie Brett;
Tracks 2-3, 10 composed by Isis Wolf-Light;
Tracks 4, 9 composed by Tamsin Elliott;
Track 6 composed by Beth Roberts;
Tracks 5, 7-8, 11 trad.

Video

Hedera perform Sterretje and She’s Sweetest When She’s Naked at the FolkEast Squash Court in August 2024. The second tune is from Northumberland and describes the best way to enjoy whisky: