> A.L. Lloyd > Songs > Rocking the Cradle
> Trevor Lucas > Songs > A Wee One
> Mike Waterson > Songs > The Charlady’s Son

Rocking the Cradle / Rocking Me Babies /
A Wee One / The Charlady’s Son

[ Roud 357 ; AFS 95 ; Ballad Index R393 ; MusTrad DB23 ; Bodleian Roud 357 ; DT ROCKCRAD , ROCKCRA2 ; Mudcat 2696 , 119823 ; trad.]

Robert Cinnamond sang The Old Man Rocking the Cradle to Diane Hambilton in 1961, probably in Co. Antrim. This recording was released in 1975 on Cinnamond’s Topic album of traditional ballads and songs from Ulster, You Rambling Boys of Pleasure. Proinsias Ó Conluain noted:

The well-known lamentation of the old man left at home by a young wife “rocking the baby that’s none of his own”. The tune has a long and interesting history, carrying a lullaby or a carol in the Irish-speaking parts of Ireland, a lyrical complaint in Australia, and a cowboy song, Git Along Little Dogies, in the western states of America.

The Ian Campbell Folk Group sang Rockin’ the Cradle in 1963 on their Transatlantic album This Is the Ian Campbell Folk Group. They noted:

One of Bert Lloyd’s songs from New South Wales. We heard him sing it at a concert in London, and liked it very much. He very kindly sent us the words and music. It is a variant of the popular student song, Baby, Lie Easy.

Joe Heaney sang The Old Man Rocking the Cradle in a recording made by Ewan MacColl and Peggy Seeger in their home in Beckenham in 1964. This was published in 2000 on Heaney’s Topic anthology The Road From Connemara.

Isla Cameron sang Old Man Rockin’ the Cradle in 1966 on her eponymous Transatlantic album Isla Cameron.

Paddy Tunney sang The Old Man Rocking the Cradle on his 1966 Topic album The Irish Edge and on the Topic anthology Come Let Us Buy the License (The Voice of the People Series Volume 1; Topic 1998). He recorded it again ten years later for his Topic LP The Flowery Vale.

This song came to Australia from Ireland where it is also known as Baby Lie Easy. A.L. Lloyd sang it as Rocking the Cradle in 1966 on his album First Person. He was accompanied by Alf Edwards on concertina and Dave Swarbrick playing fiddle. The track was reissued in 1994 on the Australian CD The Old Bush Songs. It was also sung by Trevor Lucas as A Wee One on his 1966 album Overlander.

A.L. Lloyd commented in his album’s sleeve notes:

It seems to have begun life in Ireland, originally perhaps a lullaby purporting to be sung to the Christ Child by disgruntled Joseph (in mystery plays and carols Joseph is often presented as a dour peasant very suspicious of the parentage of his wife’s baby). It has undergone many changes, as a cowboy song in the USA and a mildly bawdy piece among students everywhere in the English-speaking world, besides flourishing in a number of variants (mostly deriving from the same broadside print) among folk singers. Our version here is substantially that sung by an outstanding Australian traditional singer, Mrs Sally Sloane of Teralba, New South Wales. Mrs Sloane has a large stock of family songs, many of them inherited from her grandmother who came to Australia from County Kerry in the 1840’s, but Rocking the Cradle is not one of those, for she learnt it in her young days from a neighbour in the small-farming country around Parkes. She begins the song: “I am a young man cut down in my blossom.” I altered it to “I am a young man from the town of Kiandra” because I knew a Kiandra fellow whose plight was similar to that of the man in the song.

Derek Sarjeant and Hazel King sang Baby Lie Easy on their 1973 album Folk Matters. They noted:

This song was collected in the West Country by Cyril Tawney.

Mike Waterson sang The Charlady’s Son in 1977 on his eponymous LP Mike Waterson. A.L. Lloyd noted:

Two songs have come together here and married happily enough. Rocking My Babies to Sleep was a music hall piece of the 1860s, beginning: “Oh, show me the lady that never would roam / Away from her fireside at night.” The other song was older, seemingly Irish in origin, The Wee One, or Rocking a Baby That’s None of My Own. Both are on the same theme: the young wife is off on the ran-tan, leaving the henpecked husband as baby-sitter. The Irish song is said to have evolved as a parody of a sacred original, The Christ Child’s Lullaby. New light on the role of Joseph? Mike had the song from Mick Taylor.

Nic Jones sang this song as Oh Dear, Rue the Day in a life performance recorded prior to 1982 that was included in 2001 on his anthology Unearthed,

Ron Taylor and Jeff Gillett sang Rocking the Cradle in 2006 on their WildGoose CD Both Shine as One. They noted:

Another fickle young woman, and a severe case of generalisation by an embittered man. Partly from a recording by Buffy Sainte-Marie; partly learned from Jill Smith, founder of the long deceased but fondly remembered Exmouth Arms folk club, in Cheltenham.

Cyril Tawney sang Baby Lie Easy on his 2007 posthumous anthology The Song Goes On.

Jon Boden sang this as Rocking Me Babies as the 30 December 2010 entry of his project A Folk Song a Day.

Damien Barber and Mike Wilson sang The Charlady’s Son in 2011 on their CD The Old Songs, giving their source in their liner notes:

A song we’ve been having fun singing for a good while now. From the singing of one of, if not the, Greatest of the Greats of the English Folk Song Revival of the 1960’s, Mike Waterson. Mike got his song from Mick Taylor of Hawes in Wensleydale.

Bill Whaley & Dave Fletcher sang Baby Lie Easy and Kate Burke & Ruth Hazleton sang The Wee One on the 2003 Fellside anthology celebrating English traditional songs and their Australian Variants, Song Links.

Danny Spooner sang The Wee One on his 2017 final CD, Home. His liner notes commented:

The Irish street ballad Rocking the Cradle was a lullaby purporting to be sung to the Christ Child by disgruntled Joseph (in Mystery Plays and carols Joseph is often presented as a dour man very suspicious of the parentage of his wife’s baby).

This version was from the outstanding Australian traditional singer, Mrs Sally Sloane of Teralba, New South Wales, who learned it from fiddle player Bob Vaughan. She began the song: “I am a young man cut down in my blossom.” Bert Lloyd altered it to “I am a young man from the town of Kiandra” because he knew a Kiandra fellow whose plight wassimilar to that of the man in the song.

Peter Knight’s Gigspanner sang Rocking the Cradle on their 2017 CD The Wife of Urban Law.

David Cambridge sang Rocking the Cradle on his 2019 CD Songtales. He noted:

A cautionary tale from the point of view of a young man who unwittingly acquires a baby, along with his new wife. This song is very likely Irish in origin but found its way to Australia (and back again) via Irish migrants during the 19th century. It has developed into a somewhat “bluesey” arrangement, which is, I feel, quite in keeping with the storyline.

Lyrics

A.L. Lloyd sings Rocking the Cradle

I am a young man from the town of Kiandra,
I met a young woman to comfort me home.
She goes out and she leaves me and cruelly deceives me
And leaves me with the baby that’s none of me own.

Chorus (after each verse):
Oh dear, rue the day ever I married,
How I wish I was single again.
With this weeping and wailing and rocking the cradle
And rocking a baby that’s none of me own.

While I’m at work me wife’s on the rantan,
On the rantan with some other young man.
She’s out drinking and cursing while I’m at home nursing
And rocking this baby that’s none of me own.

Come all you young men with a fancy to marry,
Beware you sure leave them flash girls alone.
Or by the Lord Harry, if one you should marry,
She’ll leave you with a baby that’s none of your own.

Trevor Lucas sings A Wee One

I am a young man cut down in my blossom,
I married a young girl to cheer up me home.
But she goes out and leaves me and cruelly deceives me
And leaves me with a wee one that’s none of me own.

Chorus (after each verse):
Oh dear, rue the day ever I married
Oh, how I wish I was single again.
For this weepin’ and wailin’ and rockin’ the cradle
And rockin’ a wee one that’s none of me own.

Now while I’m at work and me wife’s on the rantin’.
She’s rantin’ and dancin’ with some other young man.
Well, she’s drinkin’ and swearin’ while I’m at home carin’
And rockin’ a wee one that’s none of me own.

Now all you young men with the mind for to marry,
Beware of them flash women, leave them alone.
For by the Lord Harry, if one you should marry
She’ll leave you with a wee one that’s none of your own.

Mike Waterson sings The Charlady’s Son

I’m a charlady’s son and I’m just thirty-one
And me wife’s ten years younger than me;
And I don’t like to roam cos I likes to stay home
But me wife she goes out on the spree.

She leaves me behind the babies to mind
And me house in good order to keep,
But with the fire burning bright I could sit half the night,
Rocking me babies to sleep.

And it’s, “Lady, lady, hush-a-bye babe
Mammy’ll be coming back bye and bye.”
But with the fire burning bright I could sit half the night,
Rocking me babies to sleep.

Last Saturday night I went out for a stroll
After rocking me babies to sleep,
Well at the bottom of our street, well who d’you think I met
But my wife with a soldier six feet.

Well she sobbed and she sighed and she damn nearly died,
She says, “Lad, I’ve been thinking of thee.”
But with the fire burning bright I could sit half the night,
Rocking me babies to sleep.

And it’s, “Lady, lady, hush-a-bye babe
Mammy’ll be coming back bye and bye.”
But with the fire burning bright I could sit half the night,
Rocking me babies to sleep.

Acknowledgements

Lyrics copied from Australian Folk Songs and adapted to the actual singing of A.L. Lloyd and Trevor Lucas. Mike Waterson’s version was transcribed by Garry Gillard