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Katy Cruel / Leaboy's Lassie / Lichtbob's Lassie

[ Roud 1645 ; G/D 4:725 ; Ballad Index SBoA050 ; trad.]

101 Scottish Songs The Scottish Folksinger

Sandy Paton sang Katy Cruel in 1959 on his Elektra album The Many Sides of Sandy Paton. Kenneth S. Goldstein noted:

American soldiers are said to have marched to this sprightly tune during the Revolutionary War, although it's hard to imagine tough New England fighting men singing “diddle lulley day” as they prepared to meet the Redcoats. The version sung here has been handed down through many generations of an old Massachusetts family.

Sandy and Caroline Paton also sang it in 1960 on their Topic EP of American songs and ballads sung as lullabies, Hush Little Baby. The latter album's liner notes commented:

Like Tittery Nan, this song is extremely rarely found among traditional singers. However, since Eloise Linscott first published it in Folk Songs of Old New England in 1939, it has become widely popular among students and revival folk singers on America. Miss Linscott hat the song from Lucy Allen of West Newton, Massachusetts. Its text seems to be made of fragments from other songs, including the well-known Irish song I Know Where I'm Going [Roud 5701]. The refrain “O That I Was Where I Would Be,” etc. was quoted in J.B. Ker's Archaeology of Popular Phrases, published in Andover, Hants, in 1840.

Isabel Sutherland sang the song's Scottish variant The Light Bob's Lassie on the 1960 HMV anthology of broadside ballads old and new, A Jug of Punch.

Jean Redpath sang Licht Bob's Lassie in 1962 on her Folk-Legacy album Scottish Ballad Book. She noted:

I learned this beautiful version of the more commonly sung I Know Where I’m Going from Ella Ward. Ella’s text corresponds very closely with that reported by Gavin Greig from Miss Bell Robertson. Greig lists the song under the title The Lea-boy’s Lassie (or Lingboo’s Lassie, which he explains as a misreading of the former name), and as such it is still being heard in the North East. The song has come into the American tradition from both Scottish and Irish sources.

Gordeanna McCulloch sang The Lichtbob's Lassie in 1965 on the Topic anthology New Voices from Scotland. This track was also included in 1997 on the Fellside CD reissue of her 1978 Topic album, Sheath and Knife. The liner notes commented:

This song is usually thought to be sung by a girl following a soldier lover and the first verses fit this idea. Sometimes, however, the title is given as Lea Boy's Lassie, i.e. herdsman's, and the latter part of the song seems more in keeping with a rural setting. There is no confusion about the tune as it is the well-known I Know Where I'm Going. Other tunes are sometimes used.

Cilla Fisher sang Leaboy's Lassie in 1976 on her and Artie Trezise's Trailer album Balcanquhal.

Mary Black sang Leaboy's Lassie on her 1987 album By the Time It Gets Dark.

Pat Ryan sang Leaboy's Lassie in 1977 as the title track of her Folk Heritage album Leaboy's Lassie.

Cordelia's Dad sang Katy Cruel in 1995 on their CD Comet. The Demon Barbers learned this song from Cordelia's Dad and sang in it 2002 on their CD Uncut.

Elspeth Cowie sang The Leaboy's Lassie in 1998 on the CD Scottish Love Songs.

Elle Osborne sang Katy Cruel on her 1999 CD Testimony.

Heather Heywood sang The Lichtbob's Lassie in 2000 on her Tradition Bearers album Lassies Fair and Laddies Braw. She noted:

The song is printed in Folk-Song of the North-East. A lightbob is a soldier—“he wears the red and yellow”. He has enough attraction to make life following a soldier seem a better option than home comforts. Is some versions ‘lightbob’ becomes ‘leaboy’.

Aileen Carr, Annie Grace, Maureen Jelks and Karine Polwart sang The Lichtbob's Lassie at the Glasgow Royal Concert Hall in January 2001 as part of the Celtic Connections festival. The concert was released a year later on the Greentrax festival CD Scots Women.

Bert Jansch sang Katie Cruel on his 2006 album The Black Swan.

Linda Thompson sang Katy Cruel in 2007 on her Rounder CD Versatile Heart.

Ewan McLennan sang Lichtbob's Lassie in 2012 on his Fellside CD The Last Bird to Sing. He noted:

There are many close relatives of this Scottish song in the English language tradition, both in Britain and across the Atlantic. The narrative here seems to have woven together two versions, one telling the experience of a woman following infantrymen (Lichtbobs) and the second a woman who follows an itinerant farmer (Leaboy's Lassie). To me there's an air of melancholy in the words and in her plight. The beautiful, lilting tune is traditional Scottish and has been used in many other songs. I thought it seemed nice set as almost a lullaby.

Lady Maisery sang Katy Cruel in 2013 on their CD Mayday. They noted:

A welcome character that unites many of the themes on this album is Katy Cruel, a woman who has faced adversity and hostility in her time, but has a powerful sense of her own identity. We were inspired by Karen Dalton's gritty delivery of this song, and added some verses from other versions along with a new refrain by Rowan [Rheingans]. We never find out why Katy is outcast from society but she remains defiant and assured, and committed to following her own heart.

This video shows Lady Maisery at the Acoustic Sessions at Stanley Halls on 27 March 2018:

Salt House sang Katy Cruel in 2013 on their CD Lay Your Dark Low. Ths track was also included in the following year on the third edition of the anthology The Rough Guide to Scottish Music.

Kate Burke and Ruth Hazleton sang Katy Cruel on their 2015 CD Declaration. They noted:

Inspired by versions from both Karen Dalton and Linda Thompson, Katy Cruel is widely known as an American folk song but is believed to have Scottish origins and contains fragments of Irish traditional songs. It is said that the American version dates back to the colonial period and was sung by marching soldiers during the American War of Independence. First collected from Miss Lucy Allen and published by Eloise Linscott in Folk Songs of Old New England (1939), Miss Allen described Katy Cruel being sung: “As evening came, the children were put to bed upstairs, and around the great fireplace the men sang the haunting song with deep emotion.” Despite being an outcast, Katy is a wonderfully inspiring picture of a defiant and self-assured woman who refuses to conform to social expectations to be with the man she loves.

Barbara Dymock sang Katy Cruel on her 2016 CD Leaf an' Thorn. She noted:

Katy Cruel is an American version of The Lichtbob's Lassie, and reportedly a marching song from the War of Independence.

Richard Thompson sang The Light Bob's Lassie in 2019 on Topic's 80^th year anthology, Vision & Revision. The liner notes give no Topic source for Richard's version; it may be Sandy Paton who also sang the “I know where I'm going” verse.

Lankum sang Katie Cruel on their 2019 CD The Livelong Day. They noted:

Katie Cruel was originally arranged for a film, which was to be set in post-apocalyptic Ireland. The film unfortunately never saw the light of day. It was learned from the singing of Karen Dalton, who included it on her album In My Own Time [PAS 6008]. An Appalachian song, it is reputed to date from at least the American War of Independence, when soldiers were said to have marched to its tune. The song appears to be related to the Scottish Licht Bob’s Lassie, in which it is made clear that the protagonist is a sex worker. The song also shares some similarities with a broadside ballad entitled A New Song, Called Harry Newall which is set in Belfast.

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