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King Henry
King Henry
[
Roud 3967
; Child 32
; Ballad Index C032
; trad.]
Steeleye Span recorded this grisly ballad in 1972 for their first album of their long-time line-up, Below the Salt. The sleeve notes commented cryptically:
The shrill cry of an owl echoed to a woodland hut telling “The Daughter of King Under-Waves” of the approaching knight. She moved her misshapen form (cursed on her by a wicked step-mother) through the doorway. At every step the ground was shaken, at every turn there blew a storm, the very sky darkened as she passed. But would tonight be the knight.
They recorded it a second time for their CD Present to accompany the December 2002 Steeleye Span reunion tour. A live version of this song recorded in 1986 was released on the album Steeleye Span in Concert, and another live version on their The 35th Anniversary World Tour 2004 DVD:
Former Steeleye Span member Martin Carthy sang King Henry on his 1974 album Sweet Wivelsfield; this was reissued on The Carthy Chronicles. Carthy sang it live in a John Peel BBC Radio session recorded on 22 May 1972 and broadcast on 30 May; this performance was included as bonus track on the 2005 CD reissue of his album Shearwater.
Martin Carthy commented in the first album's sleeve notes:
King Henry is a heavily anglicised Scottish way of telling the Beauty and the Beast story, the only difference being that the sexes are reversed. It is a song that I very much wanted to do for a very long time and tried several tunes, none of which seemed to work satisfactorily The American tune Bonaparte's Retreat seemed in the end to carry the song best so with respectful nods towards Mike Seeger, Doc Watson and many others, I swiped it.
and the Carthy Chronicles's booklet noted:
Beauty and the Beast reversed, this ballad originated in the Gawain strand of the Arthurian legend. The King Henry in the ballad probable never existed, since the point of the tale is that chivalry has its own rewards.
The phrase “skin and bone” from this song may have supplied the title for Martin Carthy and Dave Swarbrick's 1992 CD Skin and Bone.
Emily Portman of The Furrow Collective sang King Henry on their 2014 album At Our Next Meeting. She commented in their sleeve notes:
A tale of bewitchment and metamorphosis with a moral to men that appearances can be deceptive and they shall reap great rewards if they give women what they want! I came across King Henry in Bronson's The Traditional Tunes of the Child Ballads and, feeling like the first person to unearth such a gem in hundreds of years, I set about collating my own text, adapting the melody from Mrs Brown of Aberdeenshire. I later discovered everyone had a go at King Henry in the '70s, but if we were put off because folk songs had been sung before, they would still be lying in dusty archives.
This video shows The Furrow Collective at The Glad Cafe in Glasgow on 22 February 2014:
Lyrics
| Martin Carthy sings King Henry | Steeleye Span sing King Henry |
|---|---|
|
Let never the man a-wooing ride |
Let never a man a-wooing wend |
|
For it happened to King Henry |
And this was seen of King Henry |
|
He's chased the roe deer him before |
He's chased the deer now him before |
|
King Henry he ate of the venison |
His huntsman followed him to the hall |
|
It fell about the midnight hour |
And darkness covered all the hall |
|
Great shakings shook the house about |
And louder howled the rising wind |
|
Her head hit the roof of the hunting lodge |
Her head hit the roof-tree of the house, |
|
Her teeth were like the tether stakes, | |
|
“Oh meat meat ye king an't be |
“Some meat, some meet you King Henry, |
|
So she has ta'en his good brown steed |
He's gone and slain his berry-brown steed |
|
“Oh more meat ye king an't be | |
|
So she has ta'en his gay goshawk, | |
|
“Oh more meat ye king an't be, |
“More meat, more meet you King Henry, |
|
So she has ta'en his good greyhound |
And when he's slain his good greyhounds, |
|
“More meat, more meet you King Henry, | |
|
And when he's slain his gay goshawks, | |
|
“Oh drink drink ye king an't be |
“Some drink, some drink now King Henry, |
|
So he's sewn up his horse's hide |
And he's sewn up the bloody hide, |
|
“A bed a bed ye king an't be |
“A bed, a bed now King Henry, |
|
And pulled has he the heather green | |
|
“Oh take your boots off o King Henry |
“Take off your clothes now King Henry |
|
“Oh God forbid,” says King Henry, | |
|
The night was gone the day was come |
When the night was gone and the day was come |
|
“Oh what is this?” cries young King Henry | |
|
“For I've met many's the gentleman | |
|
“For I've met many's the gentleman, sir |
“I've met with many a gentle knight |
Tom Reid penned a few more verses to round up the song. Thank you! :
“Now King Henry, you courteous knight,
Your horse's hide you'll bring.”
And o'er it she has raised her hand
And lively he did spring.
“And likewise bring your hounds their skins
And your hawks their feathers bare.”
And soon the hounds they leapt about
And the hawks flew in the air.
Then Henry he has mounted up,
Put his lady on before.
And straightway to the church they rode
To keep the oath he swore.
And they rode on into the town
From out the wild woods green.
And the people clammered all around
To see their strange new queen.
| Emily Portman sings King Henry | |
|---|---|
|
Let never a man a-wooing wend King Henry's taken him to his hall And darkness covered all the hall And louder howled the rising wind, Her hair was hanging at her heels, Her teeth were like the tether stakes, “Some meat, some meat, King Henry, Oh, when he slew his good greyhounds “More meat, more meat, King Henry, Oh, when he slew his gay goshawk “More meat, more meat, King Henry, Oh, when he slew his berry-brown steed “Now a drink, a drink, King Henry, So he sewed up the bloody hide, “Now a bed, a bed, King Henry, So he has pulled of the heather green, “Now take off your clothes, King Henry, But as he spoke a bloody tear When night was gone and day was come “Oh well is me,” says Henry, “For I was witched to a ghastly shape “And I've met many's the gentle man Let never a man a-wooing wend |
Acknowledgements and Links
Transcription of Martin Carthy's version by Garry Gillard. Thanks to Patrick Montague for corrections.
See also the Mudcat Café thread Lyr Req: King Henry (Child #32).