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A.L. Lloyd >
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Do Me Ama
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Domeama / Jacky Tar
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Jackie Tar
Jack the Jolly Tar / Jacky Tar / Do Me Ama
[
Roud 511
; Master title: Jack the Jolly Tar
; Laws K40
; Ballad Index LK40
; VWML CJS2/9/189
, CJS2/10/115
; Bodleian
Roud 511
; Mudcat 18362
; trad.]
Bob Copper collected The Squire's Lost Lady in about 1954 from Ben Butcher in Popham, Hampshire—a song he had learnt from his father George Butcher in Storrington, Sussex—; see Chapter 14, pp. 114-124, of Songs and Southern Breezes for the details. This recording wasn't included on the accompanying album, but Bob Copper later recorded it for his 1977 Topic album Sweet Rose in June. The album's sleeve notes commented:
In the mid 1950s Bob and his wife moved to Cheriton in Hampshire as landlord of the H.H. Inn, an episode described in his third book, Songs and Southern Breezes (1973). Here, working part-time on behalf of the BBC, Bob himself assumed the role of collector. Many of the songs that he collected are preserved on disc in the BBC archives, and a selection may be heard on a Topic record (12T317), but some songs (for reasons best known to the BBC) were wiped from the tape without being transferred to disc. Luckily for us, Bob’s receptive ear and memory ensured their survival. These include The Trooper, from Frank Cole of North Waltham; The Squire’s Lost Lady, from Ben Butcher of Popham; The Fisherman, from Victor ‘Turp’ Brown of Cheriton and both The Rose in June and Young Johnnie from George Fosbury of Axford, supplemented in George Fosbury’s case by the texts in Folk Songs of the Upper Thames.
George ‘Pop’ Maynard sang Jack the Jolly Tar-O at his home in Copthorne, Sussex, on 3 December 1955 to Peter Kennedy. This recording was included in 1976 on Maynard's Topic album Ye Subjects of England.
A.L. Lloyd recorded Do Me Ama, a fo'c'sle song from probably the 18th century, in 1956 for his and Ewan MacColl's albums The Black Ball Line (1957), Haul on the Bowlin' (1958), and Blow the Man Down (1963), and and on the compilations Sea Songs and Shanties (Topic Sampler No 7) and Sailors' Songs & Sea Shanties. Lloyd commented in the sleeve notes:
A fo'c'sle song that probably came into being during the 18th century. It derives its story from from an old chapbook tale of The Squire and the Farm Servant. The song has appeared in print a few times, most recently as Jack the Jolly Tar in the Penguin Book of English Folk Songs. It is still occasionally to be heard from traditional countryside singers, and may own its survival to the fact that in its story, the common sailor most cheekily gets the better of the squire—a theme for which country singers show lasting affection.
Lloyd recorded it again in 1957 on his and Ewan MacColl's album Blow Boys Blow where he added in the sleeve notes:
The tune, an unusual one in English folksong, may derive from some languorous melody heard on a Mediterranean trip.
Cyril Tawney sang Pull the String in 1963 on his EFDSS album of songs and shanties of a sub-mariner, Between Decks. He recorded it again for his 1992 cassette In Every Port; this track was included in 2003 on his anthology Nautical Tawney.
Martin Carthy sang Domeama on his and Dave Swarbrick's 1967 album Byker Hill. He commented in the album notes:
When sailors were away on long voyages, the various deprivations must have put them under a colossal strain, but their imaginations appear to have been equal to it even if their bodies sometimes weren't. The mind at work on Domeama smacks strongly of seafaring, Chaucer, or Decameron and indeed it has a basic similarity with the English ballad Glasgerion. There is probably no direct connection between this and Domeama as the theme is very old and very widespread. It is, incidentally, the only song I have ever learned on one hearing only (without the aid of tape-recorder or pencil and paper). I've tried since but to no avail.
Martin Carthy sang it as Jackie Tar live in December 2004 at Ruskin Mill; and he and Dave Swarbrick recorded Jacky Tar for their 2006 album Straws in the Wind. This album's notes say:
On the face of it, there are enough similarities between Jacky Tar and the big ballad Glasgerion as far as the basic plot line goes, for it to be thought of as a gutter version of the latter song. Bowing to A.L. Lloyd's wider knowledge (and he was always clear that in his view it was simply not the case), I retain a feeling that these things cannot be entirely unconnected: I like the idea that people rework such themes over and over. Cecil Sharp met the singer William Nott in Meshaw in Devon in 1904 and it's his beautiful tune which I sing here. The words come from a friend called Neville—who refused to let me have the song in 1958 but whose entire rendition I remembered at home later that night as I sat furious with my guitar in bed: furious because of his refusal to part with the words.
His daughter Eliza Carthy sang this song as Jacky Tar on her 1996 album Heat Light & Sound and on the English folk anthology And We'll All Have Tea. She commented in her album's sleeve notes:
A Jacky Tar is a name for a sailor. This seems to be another “trick the lass and run off” song, except that he doesn't get the chance to run off. I learned it from my Dad and it appears in Cecil Sharp.
Freda Palmer of Witney, Oxfordshire, sang a fragment of Jack and the Squire on 15 October 1972 to Mike Yates. This recording was included in 2004 on the Musical Traditions anthology of songs and tunes from the Mike Yates collection, The Birds Upon the Tree. The album's booklet commented:
Freda could only remember a fragment of this song (the 5th verse she remembered later), one that Cecil Sharp titled Jack the Jolly Tar. There are four versions printed in Sharp's collection, as well as a version, Do Me Ama, that was collected by Captain W.B. Whall and published in his book Ships, Sea Songs and Shanties (Glasgow, 1913, pp. 23-24).
Nic Jones played Jackie Tar as an instrumental in 1977 on his third album, The Noah's Ark Trap.
Barry Skinner sang The Sailor and the String in 1978 on his Fellside album Bushes & Briars.
Yorkshire Relish (Derek, Dorothy and Nadine Elliott) sang Jack the Jolly Tar in 1980 on their Traditional Sound Recordings album An Old Family Business.
Jolly Jack sang Jack the Jolly Jack Tar in 1983 on their Fellside album Rolling Down to Old Maui. This track was included in 2001 on the Fellside anthology Voices in Harmony. They commented in their sleeve notes:
We've been singing this song regularly since we named the group after the impudent hero of the ever popular 18th century story. According to A.L. Lloyd it was derived from an old chapbook tale of The Squire and the Farm Servant and was still commonly known by seamen in modern times, usually in the version Do Me Ama. A sailor ashore overhears a conversation between the squire and a merchant's daughter and takes full advantage of his piece of luck. These words were collected by Cecil Sharp from Mr William Nott in Meshaw, Devon, in 1904.
George Withers of Donyatt, Somerset (born in 1924) sang Jack the Jolly Tar on his 1995 Veteran cassette The Fly Be on the Turmut (VT133), recorded by to John Howson. This track was also included in 2004 on the Veteran anthology of folk songs sung in the West Country, Old Uncle Tom Cobleigh and All. John Howson commented:
This is a humorous version of Jack on the Shore which was a popular song in both Britain and America although it wasn’t published by many broadside printers. The earliest of them was 1830. Cecil Sharp collected a version of the song from William Nott at Meshaw, Devon in 1904. Bob Copper of Rottingdean sang the song and he knew it as Pull on the String.
Keith Kendrick sang Jack the Jolly Tar in 1997 on his Fellside CD Home Ground.
Louis Killen sang Do Me Ama in 1997 on his CD A Seaman's Garland.
John Kirkpatrick sang Do Me Ama in 1998 on his CD One Man and His Box. He commented in his liner notes:
Learned in my formative years at Folk Camps in the 1960's when The Yetties would play endless tapes of what Cyril Tawney had been singing at Sidmouth Folk Festival that year. When I later asked Cyril where it came from, he told me that he thought it was probably from somewhere in the southern half of England.
Brian Peters sang Jack the Jolly Tar in 2001 on his CD Lines. He noted:
Steve Mayne, one of the residents of Harry Boardman's Union folk club in the early 80's, used to sing Jack the Jolly Tar; it's another one collected by our Mr Sharp, and tells of the perils of the forerunner of the entry phone.
Finest Kind sang Jack the Jolly Tar on their 2003 album Silks & Spices. They noted:
Tales of Jack Tar on shore often have an unhappy ending for Jack, but in this case, he pulls strings to overcome barriers of class and architecture and attain his goal. Ian [Robb] learned this song from Ewan MacColl and Peggy Seeger over 30 years ago.
Jon Loomes sang Jacky Tar in 2005 on his Fellside CD Fearful Symmetry. His liner notes tell the story:
Peg-leg Pete staggers ashore. After six months at sea, he's only got one thing on his mind. But, before he gets to the pub he overhears this fabulous chick planning a little light bondage with her chinless yuppie boyfriend. A wicked plot hatches in his feeble mind, and under the cover of darkness he tugs on her bit of string. It is only when the sun comes up that the myopic Cynthia observes that he is not her regular nocturnal companion but a total stranger covered in assorted nautical detritus.
The Devil's Interval sang this song as Blow Me Jack in 2006 on their WildGoose album Blood and Honey. They commented in their liner notes:
John Kirkpatrick pulled our string with this cheeky little ditty! We arranged this song one night at Emily's house aided by a few bottles of raspberry wine—the result included a synchronised dance routine. Unfortunately we couldn't recreate this in the studio but Doug [Bailey] did insist on a swift half at the village pub before recording this track, for purely artistic reasons of course!
The Askew Sisters sang Jack the Jolly Tar in 2010 on their CD Through Lonesome Woods. They commented in their liner notes:
We found this version in Roy Palmer’s Book of British Ballads and it was originally sung by William Nott of Meshaw, Devon, and collected by Cecil Sharp in 1904 [ VWML CJS2/10/115 ] , although we’ve taken some words from other sources.
Danny Spooner sang Jack the Jolly Tar in 2014 on his CD Sailor's Consolation. He noted:
This was collected by Cecil Sharp from Mr William Nott of Meshaw, Devon in 1904. He was a tenant farmer and probably knew the reputation of squires. It appears in Penguin Book of English Folk Songs (1959). The Canadian folk group, Finest Kind, do a nice version of this with slightly different verses which they got from MacColl, he probably adapted it. A.L. Lloyd also sang a variant of the song called Do Me Ama. I got a version from Arthur Phillips, a London lighterman.
Andy Turner heard Do Me Ama first on Byker Hill. He sang it as the 1 April 2016 entry of his project A Folk Song a Week.
Jim Moray sang Jack Tar on his 2019 CD The Outlander. He noted:
From the version sung by William Nott, Meshaw, Devon, on 12 January 1904 to Cecil Sharp. [VWML CJS2/9/189, CJS2/10/115] .
Lyrics
Ben Butcher sings The Squire's Lost Lady | George Withers sings Jack the Jolly Tar |
---|---|
Oh, I am Jack and a jolly tar, Chorus (repeated after each verse): | |
As a sailor was a-walking one fine summer's day, |
Now when Jack was walking through London city, |
Chorus (after each verse): | |
“You must tie a string all round your finger, |
“You must tie a long string all around your finger, |
Thinks the sailor to himself, “I've a mind to try |
“Damn me,” says Jack, “If I don't venture, |
Along came the squire quietly humming a song |
Along came the squire all hot with passion, |
And early in the morning 'twas getting light |
Well the morning came and the sun was streaming, |
“Oh what is this, you tarry sailor? | |
And Jack he says, “O forgive, I pray, |
“I'm sorry ma'am will you please forgive me? |
A.L. Lloyd sings Do Me Ama | Martin Carthy sings Domeama |
As a sailor was walking one fine summer day, |
As Jack went out walking all on a fine day, |
“You must tie a string all around your finger, |
“Just tie the string all around your finger |
Says Jack to himself, “I've a mind to try, |
Jack says to himself, “I've a mind for to try, |
Well the squire came by, he was humming a song, |
Now the squire he came a-riding, he was singing a song, |
Well, early next morning, it was just getting light, |
It was early next morning, it was just getting light, |
“Oh what do you want, you tarry sailor, |
“Oh what do you want, oh, you tarry sailor, |
The sailor he says, “Oh, forgive me I pray, |
Jack says to the lady, “Your pardon I pray, |
Eliza Carthy sings Jacky Tar | Martin Carthy sings Jacky Tar |
Well, a young Jacky Tar out one day a-walking, |
Young Jacky Tar, out one day a-walking, |
“Just tie a string all around your finger |
“Just tie the string all around your finger |
“Damn me,” says Jack, “Oh, why don't I fetch her, |
“Blow me,” says Jack, “Well, why don't I fetch her, |
Jack never had seen such a sight before-a, | |
The squire came by, he whistling a song-a, |
Squire he come by, he was singing a song-o, |
Jack lay in her arms all the livelong night-a |
Jack lay in her arms all the livelong night-a |
“Why what d'ya want, oh you nasty sailor |
“What do you want, oh you nasty sailor |
And then, says Jack, “Why I beg your pardon |
Jack says to her, “Pardon I pray-a, |
(repeat first verse) |
Freda Palmer sings Jack and the Squire
Now Jack he heard the squire say,
That he that night with her would lay.
Chorus (repeated after each verse):
Da dum diddle um di do.
Da dum diddle um dee.
Now Jack he went and pulled the string,
And she came down and let him in.
But in the morn, when this fair maid awakened,
She looked at Jack with heart forsaken.
For Jack he had a ragged shirt,
His hands and face were covered in dirt.
“No”, said Jack, “it's no such thing,
For you came down and let me in.”
But Jack he loved the girl so well,
He told the squire to go to hell.
Acknowledgements
Transcribed by Garry Gillard and Reinhard Zierke.