Produced by Jim Moray;
Drums recorded by Joe Garcia at Invada Studios, Bristol;
Mastered by Shawn Joseph at Optimum Mastering;
Cover design by Karl Sinfield.

Musicians

Sam Carter: guitar, vocals;
Jim Moray: guitar, keyboards, bass, vocals;
Sam Nadel: drums;
Nick Cooke: melodeon;
Tom Moore: violin;
Nick Malcolm: trumpet [4]

Tracks

Side 1

1. Skewball (Roud 456; Laws Q22) (3.09)
2. Polly on the Shore (Roud 811) (5.19)

Side 2

3. The Maid of Australia (Roud 1872) (3.56)
4. Crossing the Bar (5.10)

All tracks trad. arr. Sam Carter, Jim Moray except
Track 4 poem by Alfred Lord Tennyson, music Rani Arbo

Recorded live at Folk East Festival, Suffolk, 17 August 2014;
Mixed by Jim Moray;
FOH engineering by Joe Garcia;
Live photography by Kathy Baxendale and Joe Garcia

Musicians

Sam Carter: vocals, guitar;
Jim Moray: vocals, guitar, bass, keyboards;
Sam Nadel: drums;
Tom Moore: violin;
Nick Cooke: melodeon;
Jon Thorne: bass

Tracks

1. Skewball (Roud 456; Laws Q22) (3.22)
2. Polly on the Shore (Roud 811) (5.21)
3. The Banks of Newfoundland (Roud 1812; Laws K25) (4.51)
4. The Wife of Usher’s Well (Roud 196; Child 79) (4.43)
5. The Charlesworth Hornpipe (3.27)
6. Crossing the Bar (5.41)

All tracks trad. arr. Sam Carter, Jim Moray except
Track 5 poem by Alfred Lord Tennyson, tune Rani Arbo

Recorded between December 2013 and November 2014;
Produced and mixed by Jim Moray;
Mastered by Shawn Joseph at Optimum Mastering

Musicians

Sam Carter: vocals, guitar;
Jim Moray: vocals, guitar, bass, keyboards;
Sam Nadel: drums;
Tom Moore: violin;
Nick Cooke: melodeon;
Jon Thorne: bass

with
Nick Malcolm: trumpet [11];
Jack Rutter: harmonica [3]

Tracks

1. The Wife of Usher’s Well (Roud 196; Child 79) (4.41)
2. Polly on the Shore (Roud 811) (5.19)
3. The Banks of Newfoundland (Roud 1812; Laws K25) (5.01)
4. Skewball (Roud 456; Laws Q22) (3.09)
5. The Charlesworth Hornpipe (3.25)
6. The Indian’s Petition (4.09)
7. How Can I Keep From Singing? (2.48)
8. Tyne of Harrow (Roud 1553) (4.41)
9. The Maid of Australia (Roud 1872) (3.53)
10. Oh Death (Roud 4933) (2.49)
11. Crossing the Bar (5.10)

All tracks trad. arr. Sam Carter, Jim Moray except
Track 5 Sam McGrady;
Track 7 Robert Wadsworth Lowry (1869);
Track 11 poem by Alfred Lord Tennyson, tune Rani Arbo

Recorded at FLW, Joe’s Garage, Urchin Studios and Noatone;
Produced and mixed by Jim Moray;
Mastered by Barry Grint at Alchemy

Musicians

Sam Carter: guitar, vocals;
Jim Moray: guitar, keyboards, vocals;
Tom Moore: violin, harmony vocals;
Archie Churchill-Moss: melodeon, harmony vocals;
Barnaby Stradling: bass;
Stuart Provan: drums, harmony vocals

with
Laurence Hunt: caxixi, shekere, agogo, darbuka;
Joshua Poole: saxophones;
Roland Parsons: trumpet;
Jo May: spoons;
Danny Pedlar: hurdy-gurdy drones

Tracks

1. Babylon (Roud 13968; Sacred Harp 117) (3.37)
2. Black Velvet Band (Roud 2146) (6.26)
3. William Glenn (Roud 478; Laws K22; G/D 2:191) (4.01)
4. The Ombudsman (3.11)
5. Far in Distant Lands (Roud 7565) (5.11)
6. Captain Kidd (Roud 1900; Laws K35) (6.34)
7. Murder in the Red Barn (Roud 215) (5.18)
8. Serving Man Become a Queen (Roud 199; Child 106; G/D 1:163) (4.10)
9. Henry Martin (Roud 104; Child 250) (4.43)
10. Drink Old England Dry (Roud 882) (3.14)

All tracks trad. arr. Sam Carter, Jim Moray except
Track 4 Tom Moore;
Track 5 words Samuel Smith, 1854